Sometimes it’s good to be proven wrong.
By Thom Nickels
Thom Nickels: The Spirit of ’76 — and 2026
In Philadelphia these days there are two kinds of theater experiences. There’s the Walnut Street Theater with its mostly mainstream […]
Thom Nickels: Dobrowsky’s Caesar adaptation does not disappoint
Suburb acting is paired with thoughtful incorporation of modern themes.
By Thom Nickels
Marines grapple with history and judgment in new play
“The Pearly Gates” for many represents the Gates of Heaven or the gates of the afterlife. The term is used […]
Thom Nickels: A stand-out production at the Philly Fringe Festival
Ordinarily when one thinks of the Fringe Festival one thinks of amateur productions. “Without God As My Lover” breaks the mold.
By Thom Nickels
Thom Nickels: ‘My Mama and the Full Scale Invasion’ – art, or nationalism?
The play, set in present-day Ukraine, has some high points, but is dragged down by the relentless message.
By Thom Nickels
Thom Nickels: Heidi Schreck’s “Constitution” tells progressives what they want to hear.
For a play about debates, it’s remarkably one-sided.
By Thom Nickels
Thom Nickels: You can’t make Lincoln by committee
The new trend among playwrights doesn’t make for a great product.
By Thom Nickels