Ordinarily when one thinks of the Fringe Festival one thinks of amateur productions. “Without God As My Lover” breaks the mold.
By Thom Nickels
Thom Nickels: ‘My Mama and the Full Scale Invasion’ – art, or nationalism?
The play, set in present-day Ukraine, has some high points, but is dragged down by the relentless message.
By Thom Nickels
Thom Nickels: Heidi Schreck’s “Constitution” tells progressives what they want to hear.
For a play about debates, it’s remarkably one-sided.
By Thom Nickels
Thom Nickels: You can’t make Lincoln by committee
The new trend among playwrights doesn’t make for a great product.
By Thom Nickels